| New York City Ballet | |
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| General Information | |
| Name | New York City Ballet |
| Previous Names |
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| Year Founded | 1948 |
| Founders | |
| Founding Choreographers | |
| Principal venue |
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| Website | www.nycballet.com |
| Artistic Staff | |
| Ballet Master in Chief | Peter Martins |
| Ballet Mistress | Rosemary Dunleavy |
| Music Director | Fayçal Karoui |
| Other | |
| Orchestra | The New York City Ballet Orchestra |
| Official School | School of American Ballet |
| Associated Schools | |
| Formation | Principal Dancer Soloist Corps de Ballet |
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine[1] and Lincoln Kirstein.[2] Léon Barzin was the company's first music director. Balanchine and Jerome Robbins are considered the founding choreographers of the company. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet,[3] 1934; the American Ballet,[4] 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan,[5] 1941; and directly from the Ballet Society,[6][7] 1946.
The company was named New York City Ballet when it became resident at City Center of Music and Drama in 1948.[8][9] Its success was marked by its move to the New York State Theater, now David H. Koch Theater, designed by Philip Johnson to Balanchine's specifications. City Ballet went on to become the first ballet company in the United States to have two permanent venue engagements: one at Lincoln Center's David H. Koch Theater on 63rd Street in Manhattan, and another at the Saratoga Performing Arts Center, in Saratoga Springs, New York. The School of American Ballet (S.A.B.), which Balanchine founded, is the training school of City Ballet.
After the company's move to the State Theater, Balanchine's creativity as a choreographer flourished. He created works that were the basis of the company's repertory until his death in 1983. His vision influenced dance both across the United States and in Europe. He worked closely with choreographer Jerome Robbins, who resumed his connection with the company in 1969 after having produced works for Broadway.
NYCB still has the largest repertoire by far of any American ballet company, and it often stages 60 ballets or more in its winter and spring seasons at Lincoln Center each year and 20 or more in its summer season in Saratoga Springs. City Ballet has performed The Nutcracker, Romeo and Juliet, A Midsummer Night's Dream and many more. City Ballet has trained and developed many great dancers since its formation, including:
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In 1960 Balanchine mounted City Ballet's Salute to Italy with premieres of Monumentum pro Gesualdo and Variations from Don Sebastian, called the Donizetti Variations since 1961, as well as performances of his La Sonnambula and Lew Christensen's Con Amore. The performance was repeated in 1968.
In 1972 Balanchine offered an eight-day tribute to the composer, his great collaborator, who had died the year before. His programs included twenty-two new works of his own dances, plus works by choreographers Todd Bolender, John Clifford, Lorca Massine, Jerome Robbins, Richard Tanner and John Taras, as well as repertory ballets by Balanchine and Robbins. Balanchine created Symphony in Three Movements, Duo Concertant and Violin Concerto for the occasion. He and Robbins co-choreographed and performed in Pulcinella. Balanchine produced an earlier Stravinsky festival as balletmaster of the American Ballet while engaged by the Metropolitan Opera in 1937. The composer conducted the April 27th premiere of Card Party.
In 1975 Balanchine paid his respects to the French composer Maurice Ravel with a two-week Hommage à Ravel. Balanchine, Robbins, Jacques d'Amboise, and Taras made sixteen new ballets for the occasion. Repertory ballets were performed as well. High points included Balanchine's Le Tombeau de Couperin and Robbins' Mother Goose. NYCB is a professional school
In 1981 Balanchine planned a two-week NYCB festival honoring the Russian composer Peter Ilyitch Tschaikovsky. Balanchine, Joseph Duell, d'Amboise, Peter Martins, Robbins and Taras created twelve new dances. In addition to presenting these and repertory ballets, Balanchine re-choreographed his Mozartziana from 1933. Philip Johnson and John Burgee's stage setting of translucent tubing was designed by to be hung and lit in different architectural configurations throughout the entire festival.
In 1982 Balanchine organized a centennial celebration in honor of his long-time collaborator Igor Stravinsky during which twenty-five ballets set to the composer’s music were performed by City Ballet. Balanchine made three new ballets, Tango, Élégie and Persephone, and a new version of Variations.[10]
On April 26, 1984, NYCB celebrated the 20th anniversary of the New York State Theater. The program started with Igor Stravinsky's Fanfare for a New Theater, followed by Stravinsky's arrangement of The Star-Spangled Banner. The ballets included: three of Balanchine's works, Serenade, Stravinsky Violin Concerto, and Sonatine; and Jerome Robbins' Afternoon of a Faun. The performers included Maria Calegari, Kyra Nichols, Heather Watts, Leonid Kozlov, Afshin Mofid, Patricia McBride, Helgi Tomasson, Karin von Aroldingen, Lourdes Lopez, Bart Cook, and Joseph Duell.[11]
After Balanchine's death in 1983, Peter Martins was selected as balletmaster of the company. For its 40th anniversary, Martins held an American Music Festival, having commissioned dances from choreographers Laura Dean, Eliot Feld, William Forsythe, Lar Lubovitch and Paul Taylor. He also presented ballets by George Balanchine and Robbins. The programs included world premieres of more than twenty dances. Martins contributed Barber Violin Concerto, Black and White, The Chairman Dances, A Fool for You, Fred and George, Sophisticated Lady, Tanzspiel, Tea-Rose and The Waltz Project.
A major component of the Spring 2008 season was a celebration of Jerome Robbins; major revivals were mounted of the following ballets:
Friday, June 27, 2008 the first Dancers’ Choice benefit was held for the Dancers' Emergency Fund. The program was initiated by Peter Martins, conceived and supervised by principal dancer Jonathan Stafford, assisted by Kyle Froman, Craig Hall, Amanda Hankes, Adam Hendrickson, Ask la Cour, Henry Seth and Daniel Ulbricht, and consisted of:
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and excerpts from:
Sunday June 14, 2009 the second Dancers’ Choice benefit was held at a special evening performance, the program included: Sleeping Beauty and Union Jack.[12][13] This program was supervised by principal dancer Jenifer Ringer.
NYCB performs winter and spring repertory seasons at the David H. Koch Theater at Lincoln Center as well as George Balanchine's Nutcracker during November and December; they have a summer residency at the Saratoga Performing Arts Center and regularly tour internationally.
City Ballet's Fourth Ring Society offers discounted tickets to members. Membership is open to the general public.[14]
Introductory talks about the current performance, called Dancer Chats or First Position Discussions,[15] are held before some performances or during some intervals; the docents are volunteers and include laymen as well as former dancers.
City Ballet's Choreographic Institute was founded by Irene Diamond and Peter Martins in 2000 . The institute has three main programmatic programs: choreographic sessions, providing choreographers with dancers and studio space; fellowship initiatives, annual awards in support of an emerging choreographer affiliated with a ballet company; and choreographic forums, symposia and round-table discussions on choreography, music, and design elements.
Peter Martins, who first danced with City Ballet in 1967 joined the company as a principal dancer in 1970, [16] in 1981 was named balletmaster, a title shared with Balanchine, Robbins and John Taras. Martins served as co-balletmaster in chief with Robbins from 1983 to 1989 and assumed sole directorship of the company in 1990.
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Children's balletmaster |
Assistant children's balletmaster
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The 62 piece NYCB Orchestra is an important symphonic institution in its own right, having played for virtually all of the thousands of performances NYCB has given over the decades. The orchestra accompanies the ballet on all of its North American Tours. And while the ballet uses local orchestras on its international tours, oftentimes, members of the NYCB Orchestra will come along as soloists or extras.
Clotilde Otranto, Andrews Sill (Assistant Music Director), Ryan McAdams (associate conductor)
Leon Barzin 1948-c1963, Robert Irving ("The Duke") c1963-1989, Gordon Boelzner 1989-2000, Andrea Quinn 2000-2006
Hugo Fiorato (retired 2004) (Conductor Emeritus), Maurice Kaplow (retired 2010)
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Main article: List of New York City Ballet principal dancers
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Main article: List of New York City Ballet soloists
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